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Beyond the Hype

Beyond The Hype

Beyond the Hype: How Social Media Is Warping Paranormal Evidence (and How to Fight Back)

By Todd Bates

The paranormal field used to move slowly.

You captured something. You sat with it. You replayed it. You checked your notes, your conditions, your gear settings. You shared it with a handful of trusted peers. Maybe, if it held up, it made its way into a lecture, a book, or a carefully produced documentary.

Now? Someone thinks they hear a whisper in the static and it’s up on TikTok before the team has even packed up their equipment.

Social media has changed everything about how paranormal “evidence” is collected, reviewed, and presented. Some of those changes are useful – we can share and compare data faster than ever. But a lot of it is flat-out poisoning the well.

If we don’t get honest about this and put standards in place, EVP work is going to keep sliding further into entertainment and farther away from research.

Let’s talk about how social media is warping the field – and what you and I can do about it.

The Algorithm Doesn’t Care About Truth

First thing we need to acknowledge: social media platforms are not built to reward accuracy. They’re built to reward engagement.

The algorithm wants:

  • Strong emotional reactions
  • Short, punchy content
  • Clear, dramatic narratives
  • Content that keeps people scrolling and sharing

None of that has anything to do with careful methodology, honest doubt, or the phrase, “We’re not sure yet.”

So what happens?

  • Clips get cut down to the “spooky” moment, with all the boring but important context removed.
  • Captions tell viewers exactly what they’re “supposed” to hear in an EVP before they’ve even listened.
  • Overlays, filters, and music are added to “give it a vibe” – and silently contaminate how the evidence is interpreted.

The result: people stop learning how to listen and evaluate for themselves. They’re being told what to feel and what to hear before the evidence even starts.

That’s not research. That’s marketing.

The Rise of the “Content First, Evidence Later” Mindset

There’s a dangerous shift happening: investigations are being designed around content, instead of content being a byproduct of legitimate investigations.

You can see the signs:

  • Teams talking more about “getting enough footage” than controlling conditions.
  • EVP sessions run in echo chambers of chatter, jokes, and background noise – because silence is “boring on camera.”
  • People provoking, shouting, or acting out just to create a moment that’ll look good on a clip.

Then they wonder why their evidence is muddy, contaminated, and easily dismissed.

When your first priority is producing a shareable video, you almost can’t help but compromise the very structure that makes EVP worthwhile: control, discipline, and repeatable methods.

If you’re serious about this field, you have to flip that priority back where it belongs:

Investigation first. Evidence first. Content last.

If the footage turns out usable for public viewing, great. If not, the work still mattered.

Filters, Compression, and “Pretty” Audio That Lies

Let’s talk about something a lot of people don’t realize: social platforms manipulate your audio.

When you upload:

  • The file is compressed (sometimes heavily), which can introduce artifacts and change the perceived sound.
  • Volume normalization and automatic enhancement may kick in.
  • Some apps apply their own filters or processing by default.

On top of that, creators themselves will often:

  • Add reverb to “make it sound more ghostly”
  • Boost certain frequencies so a murky sound is “clearer”
  • Layer music or ambient noise that masks the real noise floor

By the time that clip hits someone’s feed, what they’re hearing may barely resemble the original capture.

In EVP work, authenticity lives in the raw signal. Once you start treating that signal like a special effect, you’re not presenting evidence – you’re designing an experience.

If you want to be taken seriously, you must respect the difference.

Caption Bias: “Now Listen – It Clearly Says…”

One of the biggest problems on social media is what I call caption bias.

You’ve seen it:

“Listen at 0:14 – it clearly says ‘Get out now.’”

The second a viewer reads that, their brain is primed to hear exactly that phrase, even if the audio is vague or purely random noise. This is pareidolia with a script.

You’ve just:

  • Told people what to hear.
  • Removed the possibility of an unbiased first impression.
  • Turned an ambiguous sound into a “confirmed” message through suggestion alone.

This is the opposite of good practice.

A better approach, if you’re serious about integrity:

  1. Let people listen once with no captioned interpretation.
  2. Then offer what you think it might say and ask if they agree.
  3. Be willing to accept “I don’t hear it” or “I hear something different” as valid responses.

If your evidence can’t survive that kind of scrutiny, it’s not strong evidence.

Staged Content and “For Entertainment Only” – A Convenient Escape Hatch

Another trend: mixing staged content with “real” investigations, then hiding behind a little disclaimer in the bio or at the end of the video.

You know the line:

“For entertainment purposes only.”

Here’s the problem:

  • Many viewers never see that disclaimer.
  • Clips are reposted, remixed, and stripped of context.
  • The internet doesn’t keep track of what’s staged and what’s not.

Once that footage leaves your account, it just becomes “evidence” floating out in the wild with your name attached to it.

If you’re deliberately blurring the line between fictional content and legitimate investigation, don’t be surprised when people stop taking your EVP work seriously.

You can’t have it both ways: either you care about credibility, or you care about clicks. Pick one.

So What Do We Do About It? A Code of Conduct for Posting EVP Online

We can’t control the entire internet, but we can control how we behave in this field.

Here’s a simple code of conduct you can adopt – and encourage others to follow – when posting EVP to social media.

1. Always State the Conditions Clearly

Every EVP clip you post should include:

  • Location type (private home, public location, historical site, etc.)
  • Date and time of capture
  • Equipment used (make/model of recorder, any secondary gear)
  • Session conditions (who was present, noise sources, weather if relevant)

This information might feel “boring” to the general public. That’s fine. You’re not just posting for them; you’re posting for other investigators who may want to evaluate your work.

2. Share Raw or Near-Raw Audio

Best practice:

  • Post the raw clip or as close to raw as possible.
  • If you applied any processing (noise reduction, EQ, amplification), list exactly what you did.

Avoid:

  • Reverb
  • Echo
  • Over-compression
  • Added sound effects or background tracks

If you feel you must enhance a clip for audibility, make that process transparent.

3. Separate “First Listen” From Interpretation

A simple standard:

  • First clip: no caption telling people what to hear, just time markers.
  • Second clip or text: your proposed interpretation, clearly labeled as such.

For example:

“At 0:07 we captured a possible Class B response. On review, several of us independently heard something like ‘We’re here.’ What do you hear, if anything?”

You are presenting an observation, not forcing a conclusion.

4. Use Honest Language

Drop the hype. Use careful wording:

  • Say “possible EVP,” not “100% proof of a ghost.”
  • Say “we believe it may say…” not “it clearly says…”
  • Acknowledge alternate explanations when they legitimately exist.

You don’t lose credibility by being cautious. You gain it.

5. Keep Entertainment and Research Separate

If you want to produce spooky entertainment? Fine. Just don’t mix it in with your real investigations.

  • Use separate channels or playlists for fictional or dramatized content.
  • Label staged or reenacted scenes clearly, up front, not buried in fine print.

Your reputation is worth more than a temporary spike in views.

Teaching the Audience to Ask Better Questions

The public is not the enemy. The algorithm is not the enemy. The real problem is silence from people who know better.

We need to start teaching our audience what to ask when they see “evidence” online:

  • Was this audio processed? How?
  • Is there a raw version available?
  • What was the setup like – who was present, what equipment was used?
  • Could there be normal explanations (voices in another room, radio bleed, footsteps, air movement, etc.)?
  • Is this from a one-off visit or a long-term investigation?

The more we normalize those questions, the harder it becomes for shallow, staged, or manipulated content to dominate the conversation.

Bringing the Field Back to Center

Social media isn’t going away. Neither is the pressure to grow channels, build brands, and stay “relevant.”

But here’s the truth: reality doesn’t care about your follower count.

Either your methods are solid, or they aren’t. Either your evidence can stand on its own, or it can’t.

If we want EVP work to be taken seriously – by ourselves, by the public, by future researchers – then we have to stop playing by the algorithm’s rules and start holding our own.

That means:

  • Putting investigation before content.
  • Presenting evidence with context, not theatrics.
  • Refusing to manipulate audio just to make it “spookier.”
  • Welcoming scrutiny instead of running from it.

We owe that to the pioneers who built this field long before there was a “share” button. And we owe it to anyone coming after us who actually cares about truth more than views.

Todd Bates

Todd Bates is a seasoned paranormal investigator and EVP (Electronic Voice Phenomenon) specialist whose passion for uncovering the voices of the unseen has become his life’s work. You might have found him exploring an abandoned home with walls yellowed by age and doors teetering on their hinges—perhaps a site of tragedy, fire, or even mystery. In such places, Todd listens for the whispers of the departed. Today, he shares his expertise with audiences worldwide on his radio show, EVP Explorations, broadcast on the Sacred Spiral Network.

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